Life is not tragic. Life is ridiculous, and that cannot be borne. —Henrik Ibsen
Hedda Tesman returns from her honeymoon to the brutal banality of domestic life: an antagonizingly bland husband; a living room full of dying flowers; and a house that is too large, too cluttered, too bourgeois for the once unstoppable Hedda Gabler. Both tormented and merciless, she is caught between her appetite for sensation and acute awareness of public perception. Mark O’Rowe’s stunning contemporary adaptation is a mesmerizing study of power, control, and self-deception and a nuanced portrait of one of the most fascinating figures in modern drama.