Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad

Facetiously described by the playwright as “A Pseudoclassical Tragifarce in a Bastard French Tradition,” this antic, absurdist black comedy about the most dysfunctional family imaginable was an Off-Broadway sensation, a movie, and one of the great charade titles ever. It also launched the career of one of America’s most daring and versatile playwrights, and is just as lively and funny, if not as shocking, as it was fifty years ago.