Terrorized by a wicked dragon, a town gets a chance for freedom with the arrival of a confident and cocky Sir Lancelot (yes, distantly related). Sounds simple enough, right? On the surface a supernatural fairytale, this subversive play written (and banned) in Stalinist Russia offers a scorching satire of authoritarian regimes and the mechanisms they use to control people. In a sharp new adaptation centering immigrant actors, The Dragon is a witty allegory that exposes the dangers of tyranny - and would be even more fun if it were not so disturbingly relevant.
AN IMPORTANT PLAY that can still speak to us today” – British Theatre Guide
“The Dragon has a great deal to say about propaganda and its construction of alternate reality” - CATO Institute