The Washington Post called Mark Jaster a “clown extraordinaire and one of the most graceful performers you will ever see on a stage.” The Baltimore Sun called him “immensely gifted.” Audiences of all ages and backgrounds have enjoyed his kinetic humor, playful interaction, musical wit and inventive imagination. His skills in mime were developed in training with 20th-century masters Marcel Marceau and his teacher, E. Decroux, along with careful observation of Charlie Chaplin, Buster Keaton, and Harpo Marx. Jaster served as teaching assistant to Mr. Marceau in a series of seminars in Michigan, and he teaches frequently in Artist residencies, theatres, and dance programs. In his solo performances, Piccolo’s Trunk, A Fool Named ‘O’, and The Maestro, Mark combines live music on unusual instruments and non-instruments, (like the pipe and tabor and the bowed saw), outrageous acrobatics, (like a dive through an impossibly small wooden hoop), and hyper-advanced communication skills with an honest, gentle humor that has obliterated many a skeptic’s hesitations over Mime. In January, ’07, he created a new show with his wife and partner, Sabrina Mandell, The Seven Ages of Mime, for an extended, sold-out run at the Round House Theatre in Silver Spring. The Washington Post’s review said, “Jaster’s sturdy body, like Chaplin’s and like Marcel Marceau’s…is a jeweler’s tool, adroit and precise…each athletic movement is exquisitely controlled…” In addition to annual appearances as Herr Drosselmeyer in the Maryland Youth Ballet’s Nutcracker, frequent performances with the Washington Revels, and many years as a featured stage act at The Maryland Renaissance Festival, he also collaborates regularly with world-class musicians like Piffaro, Celtic Harper Sue Richards, Hesperus, and the late, great jazz bassist, Keter Betts. Mark is a proud member of The Big Apple Circus’ Clown Care Program, performing at the Children’s National Medical Center and Johns Hopkins University Hospital.